Yet, a perilously pointed knife in the first flashback foreshadows the darker sides of motherhood in moments of apparent lightness. We witness how she struggled to cope with the demands of childcare, and how she left her young children to pursue a career as an academic. This unravels in a series of flashbacks that depict her breaking some of the sacred taboos of motherhood by putting her needs and ambitions before those of her daughters. The seemingly idyllic relationship between young mother Nina (Dakota Johnson) and her daughter Elena stirs uncomfortable memories of Leda’s own mothering.Įlena is particularly attached to her doll Nani, who will turn out to play a central role in Leda’s reckoning with her troubled past. When Leda (Olivia Colman) goes for a holiday on a fictional Greek island, her peace is soon disrupted the large, noisy American family staying on the same beach.
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Ferrante’s lesser-known third novel The Lost Daughter has now been adapted into a Netflix movie by Maggie Gyllenhaal. Saverio Costanzo’s HBO television drama My Brilliant Friend, based on the author’s four-part novel, has only further widened her appeal. Since the enormous success of Elena Ferrante’s Neapolitan Novels, Italy’s leading female author, who famously writes under a pseudonym, has become a global phenomenon with a name of its own: Ferrante Fever.
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